March 9, 2018

We Got a Call From Elvis

After a year with Jimmy Dean, we got a call from Elvis. He had decided to return to live performances as he was not enjoying the movies as much as he did when he started. When he decided to put together his group, he called James Burton, the greatest guitarist available at the time. He asked James to put together a band for him. James hired Ronnie Tutt on drums, Jerry Scheff on bass, John Wilkinson on rhythm guitar and Larry Muhoberac on piano. I’m told he originally wanted the Blossoms as his black female backup group but they turned him down. The Sweet Inspirations were available and the group that opened with Elvis consisted of Myrna Smith, Estelle Brown, Sylvia Shemwell, and Cissy Houston, mother of Whitney Houston. Elvis had called Gordon Stoker of the Jordanaires for his male quartet. At that time, the Jordanaires were very busy in the studio recording backup for almost every country artist in the country music world. They feared that if they accepted his invitation and went to Las Vegas, these artists would find other backup singers and never call them again. They weren’t sure Elvis had a long-term plan for concerts and so they turned him down. The next call he made was to the Imperials. Joe Moscheo was the manager at that time and with very little persuasion, the Imperials said yes.

On July 31, 1969, Elvis came back to live performances to rave reviews at the Hilton International Hotel, the largest showroom by far in Las Vegas. The band named themselves the TCB Band, the Sweet Inspirations, the Imperials, Millie Kirkham on the soprano parts, and a huge 40 piece orchestra behind him. The original conductor of that orchestra was Bobby Morris.

The order of the show brought the Sweet Inspirations out for three songs.  Elvis had a comedian that came on next named Sammy Shore. I will never understand how he got there, but I think the Hilton had him under contract so they had to use him. There was a short intermission and then the one everyone was waiting to see walked onstage to the 2001 Theme song. It was electric every night, but especially opening night.

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